Abstract
“My interest in art is for the organic and poetic. ... In a sense, I’m a raku painter. Raku is a way of approaching art. It’s a spontaneous, intuitive sense. You learn to take advantage of what’s happening to your work while it’s happening. There’s a lot of emotion and intuitive feeling involved to the point that you almost know when something is going to happen, and afterwards you say, ‘I’m not surprised.’” -Tom Benton
Benton considered painting on canvas the highest altar of visual art. his paintings brought all of his art experiences — architecture, ceramics, silkscreening and monotypes — to a crescendo, an epic finale.
These paintings were often larger than five feet by five feet, and a number of triptychs were more than six feet wide. We find his familiar forms, circles and waves, but with a greater sense of depth and intensity. Benton eventually left behind the use of brushes, and worked with drip painting and color mixing with loose paints.
Pencil on Paper
Museum Frame, 14.25” x 16”
Signed in Pencil